Tag Archives: MY VOICE MY LIFE

Q & A with Oscar-winning documentary filmmaker Ruby Yang; New Film MY VOICE, MY LIFE screens at #PAAFF15 on Nov. 22 at Asian Arts Initiative

MVML-English-Poster

Oscar-winning documentary filmmaker Ruby Yang’s newest film, My Voice, My Life, will screen at the Philiadelphia Asian American Film Festival on Sunday, Nov. 22, 2015 at  4:30 PM  at the Asian Arts Initiative: 1219 Vine Street, Philadelphia 19107
General Admission: $8
Students (with student ID), Children and Seniors Admission: $6
Seats are limited.
BUY NOW

My Voice, My Life follows an unlikely group of misfit students from four Hong Kong middle and high schools cast in a musical theater performance. From low self-esteem to blindness, each student confronts unique personal challenges in the process of developing his or her character.

This moving and insightful film chronicles the trials and tribulations of this group of underprivileged students as they go through six months of vigorous training to produce a musical. A life-affirming journey of self-discovery and growth, the stories of these young people will challenge every parent, teacher and policymaker to reflect on our way of nurturing the young.

Brought together to sing, dance and act, the students question their own abilities and balk at the spotlight. Teachers and administrators question whether this ragtag band will be able to work together, much less put on a successful musical. But Nick Ho, director of the production, holds onto hope that his tough love approach will unite the students and bring out their inner performers.

MVML_COBY_WONG_MAKEUP.jpg

The L plus H Creations Foundation presents My Voice, My Life in association with the Lee Hysan Foundation. The film is 91 minutes in Cantonese with English subtitles.

Filmmaker Ruby Yang.
Filmmaker Ruby Yang

Ruby took time out of her busy schedule to answers some questions via email from Hong Kong.

Lia: What inspired you to make My Voice, My Life?
Ruby: My first documentary, Citizen Hong Kong, was filmed during the return of Hong Kong (to China) in 1997. I always wanted to do another documentary about the young people in Hong Kong.

In 2013, L Plus H Creations Foundation (a social enterprise that improves the lives of underprivileged youth through art) asked me to make a documentary about their inaugural musical. I saw their first rehearsal and noticed a young man named Tsz Nok. He’s one of four visually impaired students being selected to take part. I was very moved by his singing and later found out that he lost his sight one year ago. I thought it would be a good story about inclusion as well as witnessing the transformative power of arts to build confidence for these marginalized youth.

mvml-bg-1600_FINALPERF.jpg

Lia: What motivates you as an artist and as a filmmaker?
Ruby: Good human stories.

I think all my films are about identity, marginalized groups and social changes affecting people’s lives. If you look at the children being affected by HIV/AIDS or the farmer who studies environmental law to save his village, you see a common thread emerging – the human spirit and it’s about humanity.

Lia: After living in the U.S. for such a long time, what has it been like to be back in Hong Kong?
Ruby: Hong Kong has become quite political in the last couple of years – high pressure and intense. There is a lot of tension between mainland Chinese and Hong Kong born Chinese.

People are media savvy. At the same time they are also bombarded with negative news. My husband and I moved to Beijing in 2004, lived in China for eight years before moving to Hong Kong. It took me a while to adjust to the freedoms in Hong Kong.

Lia: What has it been like working in China? Have there been restrictions or challenges?
Ruby: In Hong Kong, as long as one gets the permission from the person or place to shoot you just shoot – but in China that’s not the case. Even with the person’s permission, you might not be able to continue shooting because you might be touching on a sensitive topic, which can be stopped at any time.

Lia: Which of the subjects in My Voice, My Life do you relate to most?
Ruby: I related to all of them in different ways. They are rebellious, having short attention span, unable to communicate with their parents, lacking self-confidence, feeling excluded … I think we all share that kind of experience.

MVML_GROUP_SING.jpg

Lia: What was it like for you as a young Chinese American female filmmaker early in your career?
Ruby: It was tough. There weren’t many opportunities for Asian Americans in film business. As a foreign born, it was even harder. It was crucial that during the early 80s, CAAM (formerly NAATA), New York Asian CineVision and Visual Communications in L.A. helped champion the voices of Asian Americans in the mainstream media. As Asian Americans, we have traveled a long journey; the struggle is still on going.

Lia: Did you have mentors when you were first honing your craft?
Ruby: Yes, I am blessed with many mentors in my career. That is so important. Now I am mentoring young documentary filmmakers in Hong Kong and China.

Lia: How did winning an Oscar in the Documentary Short category for The Blood of Yingzhou District in 2006 change your life, your career and your outlook on life?
Ruby: As a documentary filmmaker, you always want to be low-key and be professionally invisible. Winning an Oscar proves to be a problem in China. I am no longer invisible.

Lia: How was My Voice, My Life received in Hong Kong?
Ruby: It made about 6 million Hong Kong dollars (about $700,000 U.S.), which makes it one of the few top-grossing documentaries in Hong Kong. There were over 500 screenings booked by high schools and organizations since the release of the film in October 2014. Many local celebrities have endorsed the film, which brought the attention to the issues discussed in the film to the general audience.

Lia: What have been the top three projects that you have worked on and why?
Ruby: The Warriors of Qiugang documents a group of Chinese villagers that organized to put an end to the poisoning of their land and water. Public participation is beginning to take shape in China but Chinese citizens are facing huge battles ahead.

The Blood of Yingzhou District: HIV/AIDS issue was a taboo subject in China when we started our AIDS public awareness work there in 2004. A lot has changed for the better 10 years after.

Citizen Hong Kong, which explored identity issues of Hong Kong born Chinese. Now (Hong Kong’s) political future is very much on the minds of many Hong Kongers.

Lia: Is there a reason that you gravitate toward documentary filmmaking versus narrative filmmaking?
Ruby: I like documentaries because they bring me to different real-life situations. What’s better than just experiencing life and talking to people about their lives?

Lia: What advice would you give to aspiring filmmakers?
Ruby: Be curious, patient and draw inspiration from life.

Ruby Yang is a noted Chinese American filmmaker whose work in documentary and dramatic film has earned her an Academy Award, two Academy Award nominations and numerous other international awards, including an Emmy, the Alfred I. duPont-Columbia Journalism Award and the Global Health Council Media Award.

Lia Chang
Lia Chang

Lia Chang is an award-winning filmmaker, a Best Actress nominee, a photographer, and an award-winning multi-platform journalist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek, which will screen at the Philadelphia Asian American Film Festival on November 21st. She is profiled in Examiner.com, FebOne1960.com BlogJade Magazine and Playbill.com.

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Hide and Seek starring Lia Chang and Garth Kravits screens at the 2015 Philadelphia Asian American Film Festival (PAAFF15) in Women’s Shorts Program at Asian Arts Initiative on Nov. 21
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AsAmNews.com: Actor Tzi Ma Rides ‘Hell On Wheels’ to New Heights
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Q & A with Oscar-winning documentary filmmaker Ruby Yang; New Film MY VOICE, MY LIFE screens at #PAAFF15 on Nov. 22 at Asian Arts Initiative
Ed Moy’s Animated Short UP IN THE CLOUDS has East Coast premiere screening at PAAFF15 on Nov. 20
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Greg Watanabe makes Broadway Debut as Mike Masaoka in ‘Allegiance’ 
AsAmNews.com: Q & A with Arthur Dong, Award-winning Filmmaker and Author, Gay Icon, Distinguished Professor of Film
Film Lab Screening of ‪#‎72HrSO‬ Films at Time Warner Theater & Panel Discussion of Mass Media Constructions of Beauty 
AsAmNews.com: Creating an Asian American presence on Wikipedia, one WikiAPA Edit-a-thon at a time 
AsAmNews.com: The King and I’s Special Performance Benefits The Actors Fund 
Playbill.com: Hugs, Laughs and Photobombs By Tony Winners! Go Backstage at the Special Actors Fund Performance of The King and I
Broadwayworld.com: Photo Flash: Phylicia Rashad, Andre De Shields & More Original Cast Members from THE WIZ Reunite in Central Park! 
BIG TROUBLE IN LITTLE CHINA Cast Reunion featured in BLACK BELT MAGAZINE August/September 2015
Drumhead Magazine: Living Colour Drummer Will Calhoun, Photos by Lia Chang 
AsAmNews.com: AAPI Heritage Month: My Grandmother’s Detention on Angel Island 
Crafting a Career

Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

All text, graphics, articles & photographs: © 2000-2015 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at lia@liachangphotography.com

All text, graphics, articles & photographs: © 2000-2015 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at lia@liachangphotography.com.

Philadelphia Asian American Film Festival Announces 8th Annual Festival Lineup; Kicks Off With Benson Lee’s Seoul Searching on Nov. 12

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Seoul Searching (dir. Benson Lee)
Seoul Searching (dir. Benson Lee)

PHILADELPHIA, PA – The 2015 Philadelphia Asian American Film Festival presented by Comcast NBC10 Telemundo62 Comcast Spectator today announced their full slate of films for the 2015 edition of this Philadelphia cultural treasure. For the 8th edition, the festival will open with the Philadelphia premiere of Benson Lee’s Seoul Searching, starring Justin Chon, Jessika Van, In-Pyo Cha, Teo Yoo, and Esteban Ahn, screening at the International House’s Ibrahim Theater. Director Lee will be in attendance for a post-screening Q&A. The screening will be followed by the PAAFF’15 Opening Night Reception featuring a 1980s dance music and costume contest (free to all ticket and badge holders).

This year’s festival is comprised of 23 features and over 30 shorts from 17 countries spread over 4 continents and of these, 5 are East Coast premieres and 14 Philadelphia premieres, with a special presentation of Center for Asian American Media’s Muslim Youth Voices project featuring world premieres of short films produced by local Muslim youth.

Lia Chang in Hide and Seek
Lia Chang in Hide and Seek

Bev’s Girl Films’ Hide and Seek starring Lia Chang and Garth Kravits, will have its Philadelphia premiere as an Official Selection at The 2015 Philadelphia Asian American Film Festival (PAAFF15) on Saturday, November 21, 2015 in the Women’s Shorts Program at Asian Arts Initiative, 1219 Vine Street, Philadelphia, PA 19107 at 2:15pm. Two of six PAAFF’15 shorts in the Women’s Shorts program are produced by local filmmakers; Romaine by Eiko Fan and How is How by Pheng Tang. Romaine (12 mins.) is a short doc about Romaine Samworth who, despite being blind for over 85 years, uses vibrant colors to tell personal stories through sculpture. How is How (7 mins.) examines the life of a single Chinese immigrant mother, who becomes out of sorts with her life while going through a career transition.

Split End | Eddie Shieh
Romaine | Eiko Fan
Hide and Seek | Garth Kravits
How is How | Pheng Tang
When Mom Visits | Chiung-wen Chang
America 1979 | Lila Yomtoob

Each of the films in this FREE program of shorts was either produced by women, star women in central roles, or deal with women’s issues. Garth and I will be in attendance for the Q & A. Click here to RSVP.

“The 2015 festival is our biggest festival yet and promises to be one of the most dynamic,” says Festival Director Rob Buscher. “With our new programs and expanded community engagement, we are looking forward to enjoying a richer experience for audiences and filmmakers alike.”

Special events include: community screening series with free films in neighborhood-based cultural centers; panel discussions “Asian Americans in Television” on November 13 and “Girls Make Better Ninjas (Or I Can’t Be Angry, I’m Asian): An Exploratory Workshop on AAPI Feminism” on November 21; centerpiece event “Strength in Numbers,” featuring music videos, live performances and a panel discussion guest curated by Scott CHOPS Jung on November 14; and the Closing Reception on November 22.

The main PAAFF’15 venues are International House in University City (3701 Chestnut Street) and Asian Arts Initiative in Chinatown North/Callowhill (1219 Vine Street). The complete feature lineup (in alphabetical order) is as follows.

View the online program with full details at http://tiny.cc/paaff15

Aroma From Heaven (dir. Budi Kurniawan, Indonesia) – Featuring interviews with farmers, scientists, philosophers, academics, anthropologists, and business owners – this film explores 300 years of coffee production in Indonesia.

Changing Season (dir. Jim Choi, USA) – Famed farmer, slow food advocate, and sansei David “Mas” Masumoto faces health challenges as his queer progressive daughter Nikiko, returns to the family farm with the intention of stepping into her father’s work boots. EAST COAST PREMIERE.

Crush the Skull (dir. Viet Nguyen, USA) – A pair of professional burglars find themselves having to pull one last job and find themselves in a sadistic torture den where they now have to fight for their lives. Adapted from Nguyen’s YouTube short of the same title. PHILADELPHIA PREMIERE.

Dukhtar (dir. Afia Nathaniel, Pakistan) – A mother kidnaps her ten-year-old daughter to save her from the fate of a child bride. Their daring escape triggers a relentless hunt and a cynical truck driver proves to be an unlikely ally. The trio embarks on an epic journey, where the quest for love and freedom comes with a price.

Don’t Think I’ve Forgotten (dir. John Pirozzi, Cambodia) – This compelling documentary uncovers the forgotten history of the Cambodian music scene during the Vietnam War era, which blended Western rock and roll with local traditions, and was suppressed by the Khmer Rouge.

For Here or to Go? (dir. Rucha Humnabadkar, USA) – Set against the backdrop of the 2008 recession, this dramatic comedy examines the many personal battles faced by immigrants living in America. Set in Silicon Valley, a software professional loses a plum position with a startup due to visa issues. PHILADELPHIA PREMIERE.

In Football We Trust (dirs. Tony Vainku & Erika Cohn, USA) – This film is an insightful documentary exploring the so-called ‘Polynesian Pipeline’ to the NFL in the tightly-knit Polynesian community in Salt Lake City, through four young men striving to overcome gang violence and near poverty through the promise of American football. PHILADELPHIA PREMIERE.

Jalal’s Story (dir. Abu Shahed Emon, Bangladesh) – This film follows an infant, rescued from a river and adopted, later abandoned, who becomes a gangster in adolescence. Recently chosen as the Official Selection to represent Bangladesh in the Foreign-Language Category of the 88th Academy Awards. EAST COAST PREMIERE.

Jasmine (dir. Dax Phelan, Hong Kong) – A gripping and chilling psychological thriller about a man struggling to come to terms with his wife’s unsolved murder, who eventually decides to take justice into his own hands and things take a startling turn toward the unexpected. PHILADELPHIA PREMIERE.

Journey from the Fall (dir. Ham Tran, Vietnam) – Inspired by the true stories of Vietnamese refugees who fled their land after the fall of Saigon, and those who were forced to stay behind, this film follows one family’s escape by boat as its patriarch is imprisoned in a Communist re-education camp.

Live From UB (dir. Lauren Knapp, Mongolia) – This film follows the story of one of Mongolia’s most promising independent bands, Mohanik, as they create a new sound for their country, combining traditional instrumentation with Western rock, and discover what it means to be Mongolian today. PHILADELPHIA PREMIERE.

Love Arcadia (dir. Lawrence Gan, USA) – This contemporary romance is set in a small town where a charming goofball becomes emotionally entangled with an ambitious executive and as tensions escalate between their families’ businesses, their relationship is threatened. PHILADELPHIA PREMIERE.

Miss India America (dir. Ravi Kapoor, USA) – When an overachieving Orange County high school senior discovers her boyfriend has fallen in love with the reigning Miss India National, she decides she must pursue the crown in order to win him and the life she planned for herself back. PHILADELPHIA PREMIERE.

My Voice, My Life (dir. Ruby Yang, Hong Kong) – This film follows an unlikely group of misfit students from four of Hong Kong’s underprivileged middle and high schools who are cast in an after-school musical theater program and where each of them confronts unique personal challenges in the process of developing character. PHILADELPHIA PREMIERE.

Off the Menu (dir. Grace Lee, USA) – Grappling with how family, tradition, faith, and geography shape our relationships to food, this film uses our obsession with food as a launching point to delve into a wealth of stories, traditions, and unexpected characters that help nourish this nation of immigrants. PHILADELPHIA PREMIERE.

Oh, Saigon (dir. Doan Hoàng, Vietnam) – Hoàng’s family was on the last civilian helicopter out of Vietnam at the end of the war. Twenty-five years later, her family returns and reunites with the family they left behind, confronting their political differences and attempting to reconnect.

Right Footed (dir. Nick Spark, USA) – This film follows Jessica Cox, a Filipina American born without arms, who became the first person licensed to pilot an airplane with her feet, as she transforms from a motivational speaker to a mentor, and eventually into a leading advocate for people with disabilities. PHILADELPHIA PREMIERE.

The Roots Remain (dirs. Jean-Sebastien Francoeur & Andrew Marchand-Boddy, Cambodia/Canada) – This film follows the story of Canadian-raised Cambodian French graffiti artist FONKi, as he reunites with his family, explores Cambodia’s Hip Hop community, and dedicates a mural to his relatives in Phnom Penh who disappeared during the war. EAST COAST PREMIERE.

Seoul Searching (dir. Benson Lee, South Korea) – Set against the backdrop of 1980s Seoul and inspired by a summer exchange program that Lee attended in the summer of 1986, this John Hughes-esque teen comedy tells a universal coming-of-age story chock full of pop culture tropes, teen hijinks, and first love. PHILADELPHIA PREMIERE.

Someone Else (dir. Nelson Kim, USA) – A surreal drama about the clash of wills between two Korean-American cousins in New York City. A shy young law student hungry for a more vivid, risk-taking existence, visits his wealthy playboy cousin and attempts to sheds his old identity, but spirals out of control. PHILADELPHIA PREMIERE.

The Vancouver Asahi (dir. Yuya Ishii, Canada/Japan) – This tale of sports miracles and glory is based on the true story of a legendary baseball team in 1930s Vancouver examining the harsh realities of poverty and discrimination among 2nd generation Japanese Canadians. PHILADELPHIA PREMIERE.

Waiting for John (dir. Jessica Sherry, Vanuatu) – This film explores the John Frum Movement, now considered the last surviving Cargo Cult, from the perspective of the last village of believers, as they struggle to preserve their culture in the modern world. EAST COAST PREMIERE.

Winning Girl (dir. Kimberlee Bassford, USA) – follows the four-year journey of a part-Polynesian female teenage judo and wrestling phenomenon from Hawai‘i, and in doing so tells the dynamic story of an elite athlete on her ascent, a girl facing the challenges of growing up and an entire family dedicated to a single dream. EAST COAST PREMIERE.

The 2015 Philadelphia Asian American Film Festival is presented by Comcast NBC10 Telemundo62 Comcast Spectator; and made possible through the generosity of Premier Sponsor Aetna; Founding Sponsor HBO; Partner Sponsors Wells Fargo, PHLDiversity, Pennsylvania Department of Drug & Alcohol Programs, and Samuel S. Fels Fund; and Prime Sponsors PECO, Jefferson Health, Pacific Islanders in Communications, Greater Philadelphia Asian Studies Consortium, and Hepatitis B Foundation.

ABOUT THE FESTIVAL
PAAFF is the first and only event of its kind in Philadelphia, bringing in audience members from all over the region and Asian American filmmakers, actors, and leaders, from around the world. The festival also hosts numerous screenings year-round independently and in partnership with regional arts and community organizations. PAAFF’s parent organization, Philadelphia Asian American Film & Filmmakers, is a nonprofit organization founded in 2008 to showcase films by and about Asian Americans and Pacific Islander Americans for the city of Philadelphia and Greater Philadelphia region. They aim to present captivating programs that engage, inspire, and connect our community both to one another and the non-Asian mainstream.

For more information about PAAFF’15 visit phillyasianfilmfest.org and follow on social media @paaff or #PAAFF15.

Lia Chang
Lia Chang

Lia Chang is an award-winning filmmaker, a Best Actress nominee, a photographer, and an award-winning multi-platform journalist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek, which will screen at the Philadelphia Asian American Film Festival on November 21st. She is profiled in FebOne1960.com Blog, Jade Magazine and Playbill.com.

Click here for other film articles.
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

All text, graphics, articles & photographs: © 2000-2015 Lia Chang Multimedia unless otherwise indicated. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

Oscar-winning documentary filmmaker Ruby Yang’s My Voice, My Life set for US Screening Tour in LA, SF and New York, Nov. 1 – 8

MVML-English-Poster

Oscar-winning documentary filmmaker Ruby Yang’s newest film, My Voice, My Life, follows an unlikely group of misfit students from four Hong Kong middle and high schools cast in a musical theater performance. From low self-esteem to blindness, each student confronts unique personal challenges in the process of developing his or her character.

This moving and insightful film chronicles the trials and tribulations of this group of underprivileged students as they go through six months of vigorous training to produce a musical. A life-affirming journey of self-discovery and growth, the stories of these young people will challenge every parent, teacher and policymaker to reflect on our way of nurturing the young.

Brought together to sing, dance and act, the students question their own abilities and balk at the spotlight. Teachers and administrators question whether this ragtag band will be able to work together, much less put on a successful musical. But Nick Ho, director of the production, holds onto hope that his tough love approach will unite the students and bring out their inner performers.

MVML_COBY_WONG_MAKEUP.jpg

The L plus H Creations Foundation presents My Voice, My Life in association with the Lee Hysan Foundation. 

My Voice, My Life, heads back to US theaters for three weeks beginning October 31 exclusively at the Laemmle Pasadena Playhouse 7. Free admission. Go to http://www.myvoicemylifemovie.com for your tickets now.
This event is supported by Create Hong Kong

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My Voice, My Life, – US Tour starts Nov. 1.

Director Ruby Yang will be joined by one of the subjects of the film, Jason Chow for Q/A in the following special screenings:

LOS ANGELES
Nov. 1, 2015, 3:00 PM – Asian World Film Festival
Nov. 3, 2015, 7:30 PM – Museum of Tolerance

SAN FRANCISCO
Nov. 4, 2015, 7:30 PM – Landmark Embarcadero Cinema

NEW YORK
Nov. 8, 2015, 2:00 PM – Tribeca Screening Room

(Director Yang will not be present at the NY screening, but her Oscar® winning producing partner Thomas Lennon will be joined by Jason Chow for Q/A)

Email mvmlhk@gmail.com to RSVP.

The film is 91 minutes in Cantonese with English subtitles.

PHILADELPHIA- Philiadelphia Asian American Film Festival
Nov. 22, 2015, 4:30 PM – Asian Arts Initiative: 1219 Vine Street, Philadelphia 19107
General Admission: $8
Students (with student ID), Children and Seniors Admission: $6
Seats are limited.
BUY NOW

Filmmaker Ruby Yang.
Filmmaker Ruby Yang

Ruby took time out of her busy schedule to answers some questions via email from Hong Kong.

Lia: What inspired you to make My Voice, My Life?
Ruby: My first documentary, Citizen Hong Kong, was filmed during the return of Hong Kong (to China) in 1997. I always wanted to do another documentary about the young people in Hong Kong.

In 2013, L Plus H Creations Foundation (a social enterprise that improves the lives of underprivileged youth through art) asked me to make a documentary about their inaugural musical. I saw their first rehearsal and noticed a young man named Tsz Nok. He’s one of four visually impaired students being selected to take part. I was very moved by his singing and later found out that he lost his sight one year ago. I thought it would be a good story about inclusion as well as witnessing the transformative power of arts to build confidence for these marginalized youth.

mvml-bg-1600_FINALPERF.jpg

Lia: What motivates you as an artist and as a filmmaker?
Ruby: Good human stories.

I think all my films are about identity, marginalized groups and social changes affecting people’s lives. If you look at the children being affected by HIV/AIDS or the farmer who studies environmental law to save his village, you see a common thread emerging – the human spirit and it’s about humanity.

Lia: After living in the U.S. for such a long time, what has it been like to be back in Hong Kong?
Ruby: Hong Kong has become quite political in the last couple of years – high pressure and intense. There is a lot of tension between mainland Chinese and Hong Kong born Chinese.

People are media savvy. At the same time they are also bombarded with negative news. My husband and I moved to Beijing in 2004, lived in China for eight years before moving to Hong Kong. It took me a while to adjust to the freedoms in Hong Kong.

Lia: What has it been like working in China? Have there been restrictions or challenges?
Ruby: In Hong Kong, as long as one gets the permission from the person or place to shoot you just shoot – but in China that’s not the case. Even with the person’s permission, you might not be able to continue shooting because you might be touching on a sensitive topic, which can be stopped at any time.

Lia: Which of the subjects in My Voice, My Life do you relate to most?
Ruby: I related to all of them in different ways. They are rebellious, having short attention span, unable to communicate with their parents, lacking self-confidence, feeling excluded … I think we all share that kind of experience.

MVML_GROUP_SING.jpg

Lia: What was it like for you as a young Chinese American female filmmaker early in your career?
Ruby: It was tough. There weren’t many opportunities for Asian Americans in film business. As a foreign born, it was even harder. It was crucial that during the early 80s, CAAM (formerly NAATA), New York Asian CineVision and Visual Communications in L.A. helped champion the voices of Asian Americans in the mainstream media. As Asian Americans, we have traveled a long journey; the struggle is still on going.

Lia: Did you have mentors when you were first honing your craft?
Ruby: Yes, I am blessed with many mentors in my career. That is so important. Now I am mentoring young documentary filmmakers in Hong Kong and China.

Lia: How did winning an Oscar in the Documentary Short category for The Blood of Yingzhou District in 2006 change your life, your career and your outlook on life?
Ruby: As a documentary filmmaker, you always want to be low-key and be professionally invisible. Winning an Oscar proves to be a problem in China. I am no longer invisible.

Lia: How was My Voice, My Life received in Hong Kong?
Ruby: It made about 6 million Hong Kong dollars (about $700,000 U.S.), which makes it one of the few top-grossing documentaries in Hong Kong. There were over 500 screenings booked by high schools and organizations since the release of the film in October 2014. Many local celebrities have endorsed the film, which brought the attention to the issues discussed in the film to the general audience.

Lia: What have been the top three projects that you have worked on and why?
Ruby: The Warriors of Qiugang documents a group of Chinese villagers that organized to put an end to the poisoning of their land and water. Public participation is beginning to take shape in China but Chinese citizens are facing huge battles ahead.

The Blood of Yingzhou District: HIV/AIDS issue was a taboo subject in China when we started our AIDS public awareness work there in 2004. A lot has changed for the better 10 years after.

Citizen Hong Kong, which explored identity issues of Hong Kong born Chinese. Now (Hong Kong’s) political future is very much on the minds of many Hong Kongers.

Lia: Is there a reason that you gravitate toward documentary filmmaking versus narrative filmmaking?
Ruby: I like documentaries because they bring me to different real-life situations. What’s better than just experiencing life and talking to people about their lives?

Lia: What advice would you give to aspiring filmmakers?
Ruby: Be curious, patient and draw inspiration from life.

Ruby Yang is a noted Chinese American filmmaker whose work in documentary and dramatic film has earned her an Academy Award, two Academy Award nominations and numerous other international awards, including an Emmy, the Alfred I. duPont-Columbia Journalism Award and the Global Health Council Media Award.

Lia Chang
Lia Chang

Lia Chang is an award-winning filmmaker, a Best Actress nominee, a photographer, and an award-winning multi-platform journalist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek, which will screen at the Philadelphia Asian American Film Festival on November 21st. She is profiled in FebOne1960.com Blog, Jade Magazine and Playbill.com.