Nov. 27: BACKSTAGE PASS WITH LIA CHANG: Books of Wonder Launch of Maulik Pancholy’s NIKHIL OUT LOUD with Jesse Tyler Ferguson will air on FIOS 34, RCN 83, and Spectrum 56/1996

Lia Chang, co-founder of Bev’s Girl Films, has launched her latest venture, BACKSTAGE PASS with Lia Chang, an Arts and Entertainment program produced weekly at the studios of MNN.org.

Lia Chang and Maulik Pancholy at the Books of Wonder Book Launch of his new middle grade novel, NIKHIL OUT LOUD in New York on October 11, 2022.

Lia Chang is an actor, a multi-media content producer, an award-winning filmmaker, and a photo activist and documentarian, who lifts up and amplifies BIPOC communities and artists and the institutions that support them. Bev’s Girl Films collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers, musicians and corporations.

The twelfth episode of BACKSTAGE PASS with Lia Chang, executive produced and hosted by Lia, will air on November 27 at 6:30 pm (EST) on FIOS 34, RCN 83, and Spectrum 56/1996. If you miss the episode, it will be archived on my youtube channel.

Books of Wonder in New York. Photo by Lia Chang

On this edition of Backstage Pass with Lia Chang, I observed “National Coming Out Day” at Books of Wonder in New York with the launch of Nikhil Out Loud, the sophomore offering by Award winning actor and author Maulik Pancholy, that tells the story of a gay Indian American boy who learns the power of using his voice.

Maulik Pancholy at the New York Book Launch of his new middle grade novel, NIKHIL OUT LOUD, at Books of Wonder on October 11, 2022. Photo by Lia Chang

Maulik was joined by his friend and colleague, Jesse Tyler Ferguson, best known for his role as Mitchell on “Modern Family,” who received the 2022 Tony Award for Best Featured Actor in a Play for his performance in Richard Greenberg’s Take Me Out, and can been seen in the remounted Broadway revival at the Gerald Schoenfeld Theatre through February 5, 2023. They chatted about Maulik’s inspiration for writing the book, the power of representation and so much more.

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy and Jesse Tyler Ferguson at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik’s husband, Ryan Corvaia,  Founder & Owner, Dish Food & Events, surprised him with these adorable Nikhil Out Loud cookies.

Ryan Corvaia surprised his husband, Maulik Pancholy with NIKHIL OUT LOUD cookies. Photo by Lia Chang

Ryan Corvaia surprised his husband, Maulik Pancholy with NIKHIL OUT LOUD cookies. Photo by Lia Chang

Ryan Corvaia surprised his husband, Maulik Pancholy with NIKHIL OUT LOUD cookies. Photo by Lia Chang

The crowd who came for the book launch filled Books of Wonder to capacity and included his mom, his in-laws, cousins, friends and fans.

Maulik Pancholy with his mom at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy with his mom, husband, Ryan Corvaia and in-laws at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy with his HarperCollins Team at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Maulik was signing books for a line that spanned the length of the store when I left early to make my 8:00pm curtain for the Broadway revival of the Tanya Richardson Jackson helmed The Piano Lesson starring Samuel L. Jackson, John David Washington, Danielle Brooks, Michael Potts and more.

The packed house at Books of Wonder for Maulik Pancholy’s Book Talk with Jesse Tyler Ferguson in New York on October 11, 2022. Photo by Lia Chang

Maulik Pancholy signing a copy of NIKHIL OUT LOUD at Books of Wonder in New York on October 11, 2022. Photo by Lia Chang

Since the launch in New York, Maulik has been on a book tour across the country. Tonight, Maulik will discuss and sign his new middle grade novel Nikhil Out Loud with Linda Hurtado Bond at 6:30 p.m. at the Oxford Exchange, 420 W Kennedy Blvd., Tampa. Click here for Tickets – $5 for admission or $17.99 for admission and a copy of the book.

Click here to purchase the book.

Maulik’s debut middle grade novel, The Best At It, is a Stonewall Honor Award winner and is in development for television at HBO Max.

About the book:
Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .

When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.

Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.

Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.

Maulik Pancholy is an award-winning actor whose career has spanned hit television shows, animated series, the Broadway stage, and films.

He played Alec Baldwin’s intrepid assistant Jonathan on the Emmy®, Golden Globe and Screen Actors Guild Award-winning NBC comedy 30 Rock; Sanjay on the Showtime hit series Weeds; and Neal on the NBC comedy Whitney. His numerous recurring and guest starring roles include Only Murders in the Building, The Good Fight, Dynasty, Star Trek: Discovery, Elementary, Friends from College, The Good Wife, Web Therapy, The Comeback, The Sopranos, and Law & Order: Criminal Intent. For his work on television, he has been nominated for and won the Screen Actors Guild Award on multiple occasions.

Pancholy has entertained both children and adults as the voice of Baljeet on the Emmy® award-winning Disney animated series Phineas & Ferb, and as the title voice of Sanjay on Nickelodeon’s Sanjay & Craig. He is the voice of Ranjeet on Disney Junior’s Mira, Royal Detective and can be heard on the Netflix series Q-Force and the upcoming Netflix series Ghee Happy.

He has appeared in blockbuster films such as 27 Dresses and Hitch, and his many theater credits include starring on Broadway opposite Matthew Broderick and Martin Short in Terrence McNally’s It’s Only A Play, playing opposite Ed Harris in David Rabe’s Good For Otto, and starring in the Tony-nominated production of Bess Wohl’s Grand Horizons at the Helen Hayes Theatre on Broadway. Most recently, he starred in J.C. Lee’s To My Girls at 2nd Stage Theater, directed by Stephen Brackett.

Lia Chang

Lia Chang is an actor, a multi-media content producer, activist and an Award winning filmmaker and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Lia is also the host and Executive Producer of BACKSTAGE PASS WITH LIA CHANG, a new Arts and Entertainment program that airs on Sundays at 6:30pm on FIOS 34, RCN 83, Spectrum 56/1996.

Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. Her short film, When the World Was Young recently garnered a 2021 DisOrient Film Audience Choice Award for Best Short Narrative. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon. She stars in and served as Executive Producer for the short independent films Hide and Seek, Balancing Act, Rom-Com Gone Wrong, Belongingness and When the World was Young. She is also the Executive Producer for The Cactus, The Language Lesson, The Writer and Cream and 2 Shugahs. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers, musicians and corporations.

All text, graphics, articles & photographs: © 2000-2022 Lia Chang Multimedia, unless otherwise indicated. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang, unless otherwise indicated. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at backstagepasswithliachang@gmail.com.

Photos: Maulik Pancholy, Peter Gadiot, André De Shields, Telly Leung, Oliver Thornton and More in Ed Sylvanus Iskandar Helmed THE TAMING OF THE SHREW at Shakespeare Theatre Company (STC)

Peter Gadiot and Maulik Pancholy. Photo by Scott Suchman

Stage and screen actors Maulik Pancholy (Broadway: It’s Only A Play) “Weeds,” “30 Rock”) and Peter Gadiot (“Once Upon a Time in Wonderland”) lead the cast as Katherina and Petruchio respectively in Ed Sylvanus Iskandar’s bold new interpretation of Shakespeare’s The Taming of the Shrew at Shakespeare Theatre Company (STC). Iskandar, known for his striking and immersive directorial style, completes STC’s 2015–2016 season with this production, playing in Sidney Harman Hall from May 17 to June 26, 2016.

André De Shields and Tom Story. Photo by Scott Suchman

The Taming of the Shrew began preview performances on May 17,  and celebrates Opening Night on Tuesday, May 24.  Performances continue through June 26 at STC’s Sidney Harman Hall (610 F Street NW). To purchase tickets or to learn more, patrons can call the box office at 202.547.1122 or visit ShakespeareTheatre.org.

Tom Story, André De Shields, Bernard White and Telly Leung. Photo by Scott Suchman

Oliver Thorton and Telly Leung. Photo by Scott Suchman

The Taming of the Shrew, Shakespeare’s notorious comedy about courtship, marriage and individuality, last seen on STC stages in the 2007–2008 Season, also includes two-time Tony nominee André De Shields (Broadway: Ain’t Misbehavin’, The Wiz, The Full Monty, Play On!, STC’s Ghosts) as Gremio/Curtis/Vincentio; Oliver Thornton (West End: Priscilla Queen of the Desert, the 40th anniversary production of The Rocky Horror Show, Children of Eden, Rent, The Phantom of the Opera, Les Miserables and Chicago) as Bianca; Drew Foster (Broadway: Doctor Zhivago,  National tour of West Side Story) as Biondello; Rick Hammerly (a participant in STC’s 2015–2016 Directors’ Studio and last seen in Volpone) as Widow; Telly Leung (Broadway: Allegiance, Godspell, Rent, Pacific Overture and Flower Drum Song) as Lucentio; Gregory Linington (STC’s Othello, The Tempest and Tartuffe) as Grumio; Matthew Russell as Tranio; STC Affiliated Artist Tom Story who has appeared in numerous STC productions, most recently in the Free For All remount of The Winter’s Tale as Hortensio; Bernard White as Baptista; with James Crichton, Stephen Elrod (STC’s Othello), Jamison Foreman, Jackson Knight Pierce (STC’s Othello), Brian Reisman (STC’s Othello) and Nicholas Yenson rounding out the Ensemble.

The Taming of the Shrew Company. Photo by Scott Suchman

Spilling from the stage into the lobbies and the street, director Ed Sylvanus Iskandar’s production presents a provocative new approach to The Taming of the Shrew and an utterly unique audience experience. Iskandar will use an all-male cast to examine the fluidity of identity, the authenticity of self-performance and the economics of love in one of Shakespeare’s most notorious texts. Set in the arena of high fashion with influences from both Renaissance and 1950s Italy, Iskandar is working to craft a spectacular world for STC audiences.

Oliver Thorton and Maulik Pancholy. Photo by Scott Suchman

Founding Artistic Director of the theatre collective Exit, Pursued by a Bear and an emerging artist noted for his innovative interpretation of classic texts, Iskandar creates performances that shift beyond the proscenium, reconnecting audiences and artists and working to establish a thriving social community within the theatre. Iskandar’s previous projects include the 2014 Drama Desk Award-winners The Golden Dragon and The Mysteries—a collaboration with 50 playwrights that reimagined the stories of The Bible over six hours—as well as These Seven Sicknesses, a five-hour adaptation of all seven of Sophocles’ plays, and Restoration Comedy, both Drama Desk Award-nominated.

André De Shields. Photo by Scott Suchman

Speaking about his concept for Shrew, Iskandar explains, “Shakespeare’s central narrative is about Kate, an ‘other’ who chooses to transform and rejoin society on her own terms. I want to create a world in which otherness can manifest in as visible a way as possible. I am interested in using a widely diverse canvas to express universality: the world will be specific, but the story no less universal.” Regarding his all-male cast, Iskandar continues, “With an all-male cast, we are attempting to shift the focus from the war of the sexes to the war within the self. The Public Theater has just announced an all-female production of Shrew in the Park with exactly the same running date as ours, which I can’t wait to see.” He concludes, “It seems a single-gender cast allows us to unlock this play in an important new way.”

The Taming of the Shrew company. Photo by Scott Suchman

Noted for his epic and immersive style, Iskandar will extend the world of the production beyond the stage, creating a deeply engaging experience for audience members. In line with this vision, STC will invoke the atmosphere of an Italian piazza (the Piazza d’Amore) in the Harman lobbies and will offer audience and community members the opportunity to engage with the performers of The Taming of the Shrew off-stage. Supporting Iskandar’s desire to create a community with theatre, STC has also invited local artists, makers and restaurants to lead a series of make-and-take workshops, life-hack seminars and tastings and demonstrations in STC lobbies during the run of the show. The workshop series, called The Padua Finishing School, is open to the public and can serve as a standalone event or can accompany a ticket to The Taming of the Shrew. Workshop fees range from $12–$65.

Rick Hammerly, Peter Gadiot, Maulik Pancholy and Oliver Thorton. Photo by Scott Suchman

The exciting off-stage elements of this production echo Iskandar’s distinctive artistic approach to Shakespeare’s comedy. This production includes a musical intermezzo and will incorporate movement and contemporary pop music to complete the world. “I use three major elements to tell the story, of which text is the primary one;” Iskandar explains, “music and dance will also play major roles to create a richer world where each character in the show is treated as an individual with a full dramatic arc.”

The Taming of the Shrew Company. Photo by Scott Suchman

Iskandar joins STC as the first director in the Clarice Smith Series: New Directors for the Classics, having been invited by STC Artistic Director Michael Kahn after Kahn saw Iskandar’s production of The Mysteries (The Flea, NYC). “I found his style appealing, profound and very moving,” Kahn explains. “His artistic choices, paired with STC’s engagement and outreach activities, will further humanize the characters on stage for our audiences—and I also believe his choices will create a dialogue about authenticity and identity, something which is particularly relevant in our times.”

The Taming of the Shrew Company. Photo by Scott Suchman

Maulik Pancholy. Photo by Scott Suchman

Maulik Pancholy (Katherina) makes makes his STC debut, having recently starred opposite Martin Short and Matthew Broderick in the Broadway hit It’s Only a Play, directed by Jack O’Brien. Pancholy is best known for playing Jonathan on the Golden Globe® and Screen Actors Guild® Award-winning NBC comedy 30 Rock and for playing Sanjay on Showtime’s award-winning dramedy Weeds, in addition to many other voiceover, television, film and theatre credits.

Peter Gadiot and company. Photo by Scott Suchman

Peter Gadiot (Petruchio) has appeared in the films The Forbidden Girl, Night Wolf and 13 Hours. He plays Cyrus on television show Once Upon a Time in Wonderland, and has also appeared in many other television and stage productions. Gadiot will soon star in the highly-anticipated new television show USA Network’s Queen of the South, set to air in the summer of 2016.

The Taming of the Shrew Company. Photo by Scott Suchman

Ed Sylvanus Iskandar (Director) joins STC as the first in the Clarice Smith Series: New Directors for the Classics. Iskandar’s previous projects include the 2014 Drama Desk Award-winner The Mysteries, a collaboration with over 50 playwrights that reimagined the stories of The Bible over six hours. The Founding Artistic Director of theatre collective Exit, Pursued by a Bear, Iskandar has also hosted a series of labs and salons in his New York loft, featuring intimate performances and meals cooked by Iskandar himself. Combining theatre with food and community, Exit, Pursued by a Bear has become the talk of the New York theatre scene, utilizing a performance model as old as Homer and as radical as anything on stage today. While in New York, he has directed shows at myriad theatres including the Playwrights Realm, the National Asian American Theatre Company, The Flea Theater and The Play Company, as well as at his own collective. He is the winner of multiple awards including the Drama Desk Special Award for conception and direction of The Mysteries at The Flea Theater (in collaboration with 50+ playwrights) and The Golden Dragon at The Play Company, the National Theatre Conservatory Emerging Professional Award, the New York Theatre Workshop Emerging Artist Fellowship and the Drama League Directing Fellowship.

The Taming of the Shrew Company. Photo by Scott Suchman

THE DESIGNERS
Iskandar brings a new and talented creative team to STC with Scenic Designer Jason Sherwood, Costume Designer Loren Shaw, Lighting Designer Seth Reiser, Sound Designer Jeremy S. Bloom, Choreography by Chase Brock, Music Supervisor/Arranger David Dabbon and Music Director Jody Schum.

The Taming of the Shrew Company. Photo by Scott Suchman

Duncan Sheik is best known as the composer of the 2006 Broadway musical Spring Awakening, as well as a pop songwriter and performer. His recordings include Legerdemain (2015), Covers 80s (Sneaky Records, 2011), Whisper House (Sony, 2009), White Limousine (Rounder, 2006), Daylight (Atlantic Records, 2002), Phantom Moon (Nonesuch, 2001), Humming (Atlantic Records, 1998) and Duncan Sheik (RIAA Certified Gold, Atlantic Records, 1996). For his work on Spring Awakening, Sheik won Tony Awards® for Best Original Score and Orchestrations and a Grammy Award® for Best Musical Theater Album. His self-titled album Duncan Sheik also earned him a Grammy® nomination for Best Male Vocal.

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THE ARTISTIC TEAM
The production team also includes Associate Costume Designer Dana Burkart and Assistant Lighting Designer Jimmy Lawlor. Iskandar is supported by Voice and Text Coaches Gary Logan and Ellen O’Brien, and assisted by Production Stage Manager Joseph Smelser and Assistant Stage Manager Robyn M. Zalewski. Craig Baldwin serves as Immersive Designer and Iskandar’s Assistant Director.

ABOUT THE SHAKESPEARE THEATRE COMPANY
Recipient of the 2012 Regional Theatre Tony Award®, the Shakespeare Theatre Company (STC) is the nation’s leading premier classical theatre company. Today, STC is synonymous with artistic excellence and making classical theatre more accessible to audiences in and around the nation’s capital.

Under the leadership of Artistic Director Michael Kahn and Executive Director Chris Jennings, STC’s innovative productions inspire dialogue that connects classic works to the modern human experience. The Company focuses on works with profound themes, complex characters and poetic language written by Shakespeare, his contemporaries and the playwrights he influenced in order to preserve and promote classic theatre—ambitious, enduring plays with universal themes—for all audiences.

A leader in arts education, STC has a stable of initiatives that teach and excite learners of all ages, from school programs and adult acting classes to accessible community programming like play-relevant discussion series and the Free For All. For the past 25 years the Free For All program has offered an annual remount of a popular production completely free of charge to all audience members.

Located in downtown Washington, D.C., STC performs in two theatres, the 451-seat Lansburgh Theatre and the 774-seat Sidney Harman Hall. In addition to STC productions appearing year-round, these spaces also accommodate presentations from outstanding local performing arts groups and nationally renowned organizations. The Company has been a fixture in the vibrant Penn Quarter neighborhood since 1992.

Lia Chang. Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Examiner.com, Jade Magazine and Playbill.com.

Maulik Pancholy, Peter Gadiot, André De Shields, Telly Leung and More in Ed Sylvanus Iskandar Helmed THE TAMING OF THE SHREW at Shakespeare Theatre Company (STC), opens May 24

Maulik Pancholy and Peter Gadiot in THE TAMING OF THE SHREW.

Stage and screen actors Maulik Pancholy (Broadway: It’s Only A Play) “Weeds,” “30 Rock”) and Peter Gadiot (“Once Upon a Time in Wonderland”) lead the cast as Katherina and Petruchio respectively in Ed Sylvanus Iskandar’s bold new interpretation of Shakespeare’s The Taming of the Shrew at Shakespeare Theatre Company (STC). Iskandar, known for his striking and immersive directorial style, completes STC’s 2015–2016 season with this production, playing in Sidney Harman Hall from May 17 to June 26, 2016.

The Taming of the Shrew begins preview performances on May 17, celebrates Opening Night on Tuesday, May 24, and continues through June 26 at STC’s Sidney Harman Hall (610 F Street NW). To purchase tickets or to learn more, patrons can call the box office at 202.547.1122 or visit ShakespeareTheatre.org.

André De Shields. Photo by Lia Chang

Telly Leung

The Taming of the Shrew, Shakespeare’s notorious comedy about courtship, marriage and individuality, last seen on STC stages in the 2007–2008 Season, also includes two-time Tony nominee André De Shields (Broadway: Ain’t Misbehavin’, The Wiz, The Full Monty, Play On!, STC’s Ghosts) as Gremio/Curtis/Vincentio; Oliver Thornton (West End: Priscilla Queen of the Desert, the 40th anniversary production of The Rocky Horror Show, Children of Eden, Rent, The Phantom of the Opera, Les Miserables and Chicago) as Bianca; Drew Foster (Broadway: Doctor Zhivago,  National tour of West Side Story) as Biondello; Rick Hammerly (a participant in STC’s 2015–2016 Directors’ Studio and last seen in Volpone) as Widow; Telly Leung (Broadway: Allegiance, Godspell, Rent, Pacific Overture and Flower Drum Song) as Lucentio; Gregory Linington (STC’s Othello, The Tempest and Tartuffe) as Grumio; Matthew Russell as Tranio; STC Affiliated Artist Tom Story who has appeared in numerous STC productions, most recently in the Free For All remount of The Winter’s Tale as Hortensio; Bernard White as Baptista; with James Crichton, Stephen Elrod (STC’s Othello), Jamison Foreman, Jackson Knight Pierce (STC’s Othello), Brian Reisman (STC’s Othello) and Nicholas Yenson rounding out the Ensemble.

Spilling from the stage into the lobbies and the street, director Ed Sylvanus Iskandar’s production presents a provocative new approach to The Taming of the Shrew and an utterly unique audience experience. Iskandar will use an all-male cast to examine the fluidity of identity, the authenticity of self-performance and the economics of love in one of Shakespeare’s most notorious texts. Set in the arena of high fashion with influences from both Renaissance and 1950s Italy, Iskandar is working to craft a spectacular world for STC audiences.

Founding Artistic Director of the theatre collective Exit, Pursued by a Bear and an emerging artist noted for his innovative interpretation of classic texts, Iskandar creates performances that shift beyond the proscenium, reconnecting audiences and artists and working to establish a thriving social community within the theatre. Iskandar’s previous projects include the 2014 Drama Desk Award-winners The Golden Dragon and The Mysteries—a collaboration with 50 playwrights that reimagined the stories of The Bible over six hours—as well as These Seven Sicknesses, a five-hour adaptation of all seven of Sophocles’ plays, and Restoration Comedy, both Drama Desk Award-nominated.

Speaking about his concept for Shrew, Iskandar explains, “Shakespeare’s central narrative is about Kate, an ‘other’ who chooses to transform and rejoin society on her own terms. I want to create a world in which otherness can manifest in as visible a way as possible. I am interested in using a widely diverse canvas to express universality: the world will be specific, but the story no less universal.” Regarding his all-male cast, Iskandar continues, “With an all-male cast, we are attempting to shift the focus from the war of the sexes to the war within the self. The Public Theater has just announced an all-female production of Shrew in the Park with exactly the same running date as ours, which I can’t wait to see.” He concludes, “It seems a single-gender cast allows us to unlock this play in an important new way.”

Noted for his epic and immersive style, Iskandar will extend the world of the production beyond the stage, creating a deeply engaging experience for audience members. In line with this vision, STC will invoke the atmosphere of an Italian piazza (the Piazza d’Amore) in the Harman lobbies and will offer audience and community members the opportunity to engage with the performers of The Taming of the Shrew off-stage. Supporting Iskandar’s desire to create a community with theatre, STC has also invited local artists, makers and restaurants to lead a series of make-and-take workshops, life-hack seminars and tastings and demonstrations in STC lobbies during the run of the show. The workshop series, called The Padua Finishing School, is open to the public and can serve as a standalone event or can accompany a ticket to The Taming of the Shrew. Workshop fees range from $12–$65.

The exciting off-stage elements of this production echo Iskandar’s distinctive artistic approach to Shakespeare’s comedy. This production includes a musical intermezzo and will incorporate movement and contemporary pop music to complete the world. “I use three major elements to tell the story, of which text is the primary one;” Iskandar explains, “music and dance will also play major roles to create a richer world where each character in the show is treated as an individual with a full dramatic arc.”

Iskandar joins STC as the first director in the Clarice Smith Series: New Directors for the Classics, having been invited by STC Artistic Director Michael Kahn after Kahn saw Iskandar’s production of The Mysteries (The Flea, NYC). “I found his style appealing, profound and very moving,” Kahn explains. “His artistic choices, paired with STC’s engagement and outreach activities, will further humanize the characters on stage for our audiences—and I also believe his choices will create a dialogue about authenticity and identity, something which is particularly relevant in our times.”

Maulik Pancholy (Katherina) makes makes his STC debut, having recently starred opposite Martin Short and Matthew Broderick in the Broadway hit It’s Only a Play, directed by Jack O’Brien. Pancholy is best known for playing Jonathan on the Golden Globe® and Screen Actors Guild® Award-winning NBC comedy 30 Rock and for playing Sanjay on Showtime’s award-winning dramedy Weeds, in addition to many other voiceover, television, film and theatre credits.

Peter Gadiot (Petruchio) has appeared in the films The Forbidden Girl, Night Wolf and 13 Hours. He plays Cyrus on television show Once Upon a Time in Wonderland, and has also appeared in many other television and stage productions. Gadiot will soon star in the highly-anticipated new television show USA Network’s Queen of the South, set to air in the summer of 2016.

Ed Sylvanus Iskandar (Director) joins STC as the first in the Clarice Smith Series: New Directors for the Classics. Iskandar’s previous projects include the 2014 Drama Desk Award-winner The Mysteries, a collaboration with over 50 playwrights that reimagined the stories of The Bible over six hours. The Founding Artistic Director of theatre collective Exit, Pursued by a Bear, Iskandar has also hosted a series of labs and salons in his New York loft, featuring intimate performances and meals cooked by Iskandar himself. Combining theatre with food and community, Exit, Pursued by a Bear has become the talk of the New York theatre scene, utilizing a performance model as old as Homer and as radical as anything on stage today. While in New York, he has directed shows at myriad theatres including the Playwrights Realm, the National Asian American Theatre Company, The Flea Theater and The Play Company, as well as at his own collective. He is the winner of multiple awards including the Drama Desk Special Award for conception and direction of The Mysteries at The Flea Theater (in collaboration with 50+ playwrights) and The Golden Dragon at The Play Company, the National Theatre Conservatory Emerging Professional Award, the New York Theatre Workshop Emerging Artist Fellowship and the Drama League Directing Fellowship.

THE DESIGNERS
Iskandar brings a new and talented creative team to STC with Scenic Designer Jason Sherwood, Costume Designer Loren Shaw, Lighting Designer Seth Reiser, Sound Designer Jeremy S. Bloom, Choreography by Chase Brock, Music Supervisor/Arranger David Dabbon and Music Director Jody Schum.

Duncan Sheik is best known as the composer of the 2006 Broadway musical Spring Awakening, as well as a pop songwriter and performer. His recordings include Legerdemain (2015), Covers 80s (Sneaky Records, 2011), Whisper House (Sony, 2009), White Limousine (Rounder, 2006), Daylight (Atlantic Records, 2002), Phantom Moon (Nonesuch, 2001), Humming (Atlantic Records, 1998) and Duncan Sheik (RIAA Certified Gold, Atlantic Records, 1996). For his work on Spring Awakening, Sheik won Tony Awards® for Best Original Score and Orchestrations and a Grammy Award® for Best Musical Theater Album. His self-titled album Duncan Sheik also earned him a Grammy® nomination for Best Male Vocal.

THE ARTISTIC TEAM
The production team also includes Associate Costume Designer Dana Burkart and Assistant Lighting Designer Jimmy Lawlor. Iskandar is supported by Voice and Text Coaches Gary Logan and Ellen O’Brien, and assisted by Production Stage Manager Joseph Smelser and Assistant Stage Manager Robyn M. Zalewski. Craig Baldwin serves as Immersive Designer and Iskandar’s Assistant Director.

ABOUT THE SHAKESPEARE THEATRE COMPANY
Recipient of the 2012 Regional Theatre Tony Award®, the Shakespeare Theatre Company (STC) is the nation’s leading premier classical theatre company. Today, STC is synonymous with artistic excellence and making classical theatre more accessible to audiences in and around the nation’s capital.

Under the leadership of Artistic Director Michael Kahn and Executive Director Chris Jennings, STC’s innovative productions inspire dialogue that connects classic works to the modern human experience. The Company focuses on works with profound themes, complex characters and poetic language written by Shakespeare, his contemporaries and the playwrights he influenced in order to preserve and promote classic theatre—ambitious, enduring plays with universal themes—for all audiences.

A leader in arts education, STC has a stable of initiatives that teach and excite learners of all ages, from school programs and adult acting classes to accessible community programming like play-relevant discussion series and the Free For All. For the past 25 years the Free For All program has offered an annual remount of a popular production completely free of charge to all audience members.

Located in downtown Washington, D.C., STC performs in two theatres, the 451-seat Lansburgh Theatre and the 774-seat Sidney Harman Hall. In addition to STC productions appearing year-round, these spaces also accommodate presentations from outstanding local performing arts groups and nationally renowned organizations. The Company has been a fixture in the vibrant Penn Quarter neighborhood since 1992.

Lia Chang. Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Examiner.com, Jade Magazine and Playbill.com.

Maulik Pancholy, Peter Gadiot, André De Shields, Telly Leung and More Set for Ed Sylvanus Iskandar Helmed THE TAMING OF THE SHREW at Shakespeare Theatre Company (STC), May 17 – June 26

Stage and screen actors Maulik Pancholy (Broadway: It’s Only A Play) “Weeds,” “30 Rock”) and Peter Gadiot (“Once Upon a Time in Wonderland”) lead the cast as Katherina and Petruchio respectively in Ed Sylvanus Iskandar’s bold new interpretation of Shakespeare’s The Taming of the Shrew at Shakespeare Theatre Company (STC). Iskandar, known for his striking and immersive directorial style, completes STC’s 2015–2016 season with this production, playing in Sidney Harman Hall from May 17 to June 26, 2016.

Peter Gadiot

Maulik Pancholy

The Taming of the Shrew begins preview performances on May 17, celebrates Opening Night on Tuesday, May 24, and continues through June 26 at STC’s Sidney Harman Hall (610 F Street NW). To purchase tickets or to learn more, patrons can call the box office at 202.547.1122 or visit ShakespeareTheatre.org.

André De Shields. Photo by Lia Chang

Telly Leung

The Taming of the Shrew, Shakespeare’s notorious comedy about courtship, marriage and individuality, last seen on STC stages in the 2007–2008 Season, also includes two-time Tony nominee André De Shields (Broadway: Ain’t Misbehavin’, The Wiz, The Full Monty, Play On!, STC’s Ghosts) as Gremio/Curtis/Vincentio; Oliver Thornton (West End: Priscilla Queen of the Desert, the 40th anniversary production of The Rocky Horror Show, Children of Eden, Rent, The Phantom of the Opera, Les Miserables and Chicago) as Bianca; Drew Foster (Broadway: Doctor Zhivago,  National tour of West Side Story) as Biondello; Rick Hammerly (a participant in STC’s 2015–2016 Directors’ Studio and last seen in Volpone) as Widow; Telly Leung (Broadway: Allegiance, Godspell, Rent, Pacific Overture and Flower Drum Song) as Lucentio; Gregory Linington (STC’s Othello, The Tempest and Tartuffe) as Grumio; Matthew Russell as Tranio; STC Affiliated Artist Tom Story who has appeared in numerous STC productions, most recently in the Free For All remount of The Winter’s Tale as Hortensio; Bernard White as Baptista; with James Crichton, Stephen Elrod (STC’s Othello), Jamison Foreman, Jackson Knight Pierce (STC’s Othello), Brian Reisman (STC’s Othello) and Nicholas Yenson rounding out the Ensemble.

Spilling from the stage into the lobbies and the street, director Ed Sylvanus Iskandar’s production presents a provocative new approach to The Taming of the Shrew and an utterly unique audience experience. Iskandar will use an all-male cast to examine the fluidity of identity, the authenticity of self-performance and the economics of love in one of Shakespeare’s most notorious texts. Set in the arena of high fashion with influences from both Renaissance and 1950s Italy, Iskandar is working to craft a spectacular world for STC audiences.

Founding Artistic Director of the theatre collective Exit, Pursued by a Bear and an emerging artist noted for his innovative interpretation of classic texts, Iskandar creates performances that shift beyond the proscenium, reconnecting audiences and artists and working to establish a thriving social community within the theatre. Iskandar’s previous projects include the 2014 Drama Desk Award-winners The Golden Dragon and The Mysteries—a collaboration with 50 playwrights that reimagined the stories of The Bible over six hours—as well as These Seven Sicknesses, a five-hour adaptation of all seven of Sophocles’ plays, and Restoration Comedy, both Drama Desk Award-nominated.

Speaking about his concept for Shrew, Iskandar explains, “Shakespeare’s central narrative is about Kate, an ‘other’ who chooses to transform and rejoin society on her own terms. I want to create a world in which otherness can manifest in as visible a way as possible. I am interested in using a widely diverse canvas to express universality: the world will be specific, but the story no less universal.” Regarding his all-male cast, Iskandar continues, “With an all-male cast, we are attempting to shift the focus from the war of the sexes to the war within the self. The Public Theater has just announced an all-female production of Shrew in the Park with exactly the same running date as ours, which I can’t wait to see.” He concludes, “It seems a single-gender cast allows us to unlock this play in an important new way.”

Noted for his epic and immersive style, Iskandar will extend the world of the production beyond the stage, creating a deeply engaging experience for audience members. In line with this vision, STC will invoke the atmosphere of an Italian piazza (the Piazza d’Amore) in the Harman lobbies and will offer audience and community members the opportunity to engage with the performers of The Taming of the Shrew off-stage. Supporting Iskandar’s desire to create a community with theatre, STC has also invited local artists, makers and restaurants to lead a series of make-and-take workshops, life-hack seminars and tastings and demonstrations in STC lobbies during the run of the show. The workshop series, called The Padua Finishing School, is open to the public and can serve as a standalone event or can accompany a ticket to The Taming of the Shrew. Workshop fees range from $12–$65.

The exciting off-stage elements of this production echo Iskandar’s distinctive artistic approach to Shakespeare’s comedy. This production includes a musical intermezzo and will incorporate movement and contemporary pop music to complete the world. “I use three major elements to tell the story, of which text is the primary one;” Iskandar explains, “music and dance will also play major roles to create a richer world where each character in the show is treated as an individual with a full dramatic arc.”

Iskandar joins STC as the first director in the Clarice Smith Series: New Directors for the Classics, having been invited by STC Artistic Director Michael Kahn after Kahn saw Iskandar’s production of The Mysteries (The Flea, NYC). “I found his style appealing, profound and very moving,” Kahn explains. “His artistic choices, paired with STC’s engagement and outreach activities, will further humanize the characters on stage for our audiences—and I also believe his choices will create a dialogue about authenticity and identity, something which is particularly relevant in our times.”

Maulik Pancholy (Katherina) makes makes his STC debut, having recently starred opposite Martin Short and Matthew Broderick in the Broadway hit It’s Only a Play, directed by Jack O’Brien. Pancholy is best known for playing Jonathan on the Golden Globe® and Screen Actors Guild® Award-winning NBC comedy 30 Rock and for playing Sanjay on Showtime’s award-winning dramedy Weeds, in addition to many other voiceover, television, film and theatre credits.

Peter Gadiot (Petruchio) has appeared in the films The Forbidden Girl, Night Wolf and 13 Hours. He plays Cyrus on television show Once Upon a Time in Wonderland, and has also appeared in many other television and stage productions. Gadiot will soon star in the highly-anticipated new television show USA Network’s Queen of the South, set to air in the summer of 2016.

Ed Sylvanus Iskandar (Director) joins STC as the first in the Clarice Smith Series: New Directors for the Classics. Iskandar’s previous projects include the 2014 Drama Desk Award-winner The Mysteries, a collaboration with over 50 playwrights that reimagined the stories of The Bible over six hours. The Founding Artistic Director of theatre collective Exit, Pursued by a Bear, Iskandar has also hosted a series of labs and salons in his New York loft, featuring intimate performances and meals cooked by Iskandar himself. Combining theatre with food and community, Exit, Pursued by a Bear has become the talk of the New York theatre scene, utilizing a performance model as old as Homer and as radical as anything on stage today. While in New York, he has directed shows at myriad theatres including the Playwrights Realm, the National Asian American Theatre Company, The Flea Theater and The Play Company, as well as at his own collective. He is the winner of multiple awards including the Drama Desk Special Award for conception and direction of The Mysteries at The Flea Theater (in collaboration with 50+ playwrights) and The Golden Dragon at The Play Company, the National Theatre Conservatory Emerging Professional Award, the New York Theatre Workshop Emerging Artist Fellowship and the Drama League Directing Fellowship.

THE DESIGNERS
Iskandar brings a new and talented creative team to STC with Scenic Designer Jason Sherwood, Costume Designer Loren Shaw, Lighting Designer Seth Reiser, Sound Designer Jeremy S. Bloom, Choreography by Chase Brock, Music Supervisor/Arranger David Dabbon and Music Director Jody Schum.

THE ARTISTIC TEAM
The production team also includes Associate Costume DesignerDana Burkart and Assistant Lighting Designer Jimmy Lawlor. Iskandar is supported by Voice and Text Coaches Gary Logan andEllen O’Brien, and assisted by Production Stage Manager Joseph Smelser and Assistant Stage Manager Robyn M. Zalewski. Craig Baldwin serves as Immersive Designer and Iskandar’s Assistant Director.

ABOUT THE SHAKESPEARE THEATRE COMPANY
Recipient of the 2012 Regional Theatre Tony Award®, the Shakespeare Theatre Company (STC) is the nation’s leading premier classical theatre company. Today, STC is synonymous with artistic excellence and making classical theatre more accessible to audiences in and around the nation’s capital.

Under the leadership of Artistic Director Michael Kahn and Executive Director Chris Jennings, STC’s innovative productions inspire dialogue that connects classic works to the modern human experience. The Company focuses on works with profound themes, complex characters and poetic language written by Shakespeare, his contemporaries and the playwrights he influenced in order to preserve and promote classic theatre—ambitious, enduring plays with universal themes—for all audiences.

A leader in arts education, STC has a stable of initiatives that teach and excite learners of all ages, from school programs and adult acting classes to accessible community programming like play-relevant discussion series and the Free For All. For the past 25 years the Free For All program has offered an annual remount of a popular production completely free of charge to all audience members.

Located in downtown Washington, D.C., STC performs in two theatres, the 451-seat Lansburgh Theatre and the 774-seat Sidney Harman Hall. In addition to STC productions appearing year-round, these spaces also accommodate presentations from outstanding local performing arts groups and nationally renowned organizations. The Company has been a fixture in the vibrant Penn Quarter neighborhood since 1992.

Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang. Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF produces promotional videos for artists, actors, designers, theatrical productions, composers and musicians. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Examiner.com, Jade Magazine and Playbill.com.