Q & A with Ed Moy, Filmmaker of AVIATRIX: THE KATHERINE SUI FUN CHEUNG STORY and UP IN THE CLOUDS; both films screen at the 2016 Sacramento Asian Pacific Film Festival on May 27

Ed Moy
Ed Moy

Congratulations to Ed Moy, an actor, an award-winning journalist and filmmaker, who has two films screening at the 2016 Sacramento Asian Pacific Film Festival on Friday, May 27, 2016 in the Comedy/Documentary block of films from 3:00pm -5:50pm.

Moy’s documentary short Aviatrix: The Katherine Sui Fun Cheung Story will premiere at the 2016 SAPFF in the Guild Theater, 2828 35th Street, Sacramento, CA 95817. Click here purchase a full festival pass or tickets.

aviatrixKatherine Sui Fun Cheung (1904-2003), was one of the nation’s first licensed Asian aviatrix and became a member of the “99 Club”, an exclusive club of women pilots that elected Amelia Earhart as president. Cheung was born in Enping, China and studied music at USC and LA Music Consevatory. After learning to fly, she participated in air shows and air races. But after an inexperienced pilot crashed her plane, she promised her dying father that she would give up flying. After World War II, she operated a flower shop with her husband. The Santa Monica Flying Museum honored her with a plaque in their Aviation Pioneer Hall of Fame and she is recognized with a plaque along LAX Flight Path Walk of Fame as the first Chinese Aviatrix to earn a license to fly.  http://www.aviatrixmovie.org

Moy’s Up in the Clouds, a delightful animated short he wrote and directed which was inspired by Katherine Sui Fun Cheung, and features the voices of Katherine Park (Red Dress) and Raymond Ma (The MuppetsHorrible Bosses 2, and Lethal Weapon 4), will screen first. Up in the Clouds is an Asians on Film Festival Summer Quarter 2015 Winner for Best Animation.

up in the clouds

Below is a Q & A with writer/producer Ed Moy.

Ninety-Nines Members Photo of Katherine Sui Fun Cheung with Ethel Sheehy courtesy of Dottie Leschenko.
Ninety-Nines Members Photo of Katherine Sui Fun Cheung with Ethel Sheehy courtesy of Dottie Leschenko.

Lia: Were Katherine Sui Fun Cheung’s accomplishments eclipsed by Amelia Earhart’s legend?
Ed: I would say that Amelia was obviously the most famous aviatrix of the 1930s. But what stands out about Katherine is she was a minority woman doing something that was seen as primarily a man’s sport at that time.

It should also be pointed out that Chinese women were still looked at as docile homemakers, who worked in the kitchen, raised kids, and took care of the house.

Katherine broke through all of those limiting traditional expectations during a period in history when gender equality and equal rights weren’t always given freely to minorities.

Daring young women such as Katherine and Bessie Coleman (the first female pilot of African American descent) were often seen as sideshow curiosities at air circuses and county fairs around the country.

In many ways, they are pioneers who deserve to be remembered for their roles in aviation history. Our goal is to share Katherine’s fun and adventurous story with a new generation that may not know about her accomplishments.

Katherine Sui Fun Cheung was not the only Chinese female to get her pilot license in the 1930s. There’s some confusion on who was the first though. The Smithsonian’s National Air and Space Museum recognizes Katherine as the first Asian American aviatrix but others point to Hazel Ying Lee.

Although both Hazel and Katherine were licensed in 1932, according to various newspaper articles from that time period, Katherine got her license in March of 1932, whereas Hazel completed her training and got her license in October of 1932.

A number of other Chinese females also earned pilots license during the 1930s including Leah Hing, Rose Lok, Lee Ya-Ching and Hilda Yen.

There were also several Chinese women that learned to fly but were not licensed in the early years of aviation, including Anna Low in 1918 and Frances E. Lee, who died tragically falling from a plane in 1920.

We will feature a segment with Aviation historians and academics talking about these women and their accomplishments in our documentary and web series.

Biplane Katherine Sui Fun Cheung and Walter Chan with biplane photo courtesy of Dottie Leschenko.
Katherine Sui Fun Cheung and Walter Chan with biplane photo courtesy of Dottie Leschenko.

Lia: In 1932, one percent of American pilots were female. What were some of the issues involved with Cheung being a pilot?
Ed: Around 1931, Katherine sought training through the Chinese Aeronautical School, which at that time had begun teaching young Chinese American men to become pilots so they could aid in the fight against Japanese invaders in China.

According to family and various news articles, Katherine was not allowed to train with them at first because she was a woman.

But she refused to take no for an answer and eventually paid for lessons from civilian instructors.

Once she got her license Katherine did participate in the local Chinese Flying club with the other men.

She was the only female member, although there was another young woman who came from a well-to-do family that helped finance the club’s activities.

Later, Katherine was invited to join the 99s, an exclusive all-women flying club, whose members included Amelia Earhart.

Lia: How did you discover Katherine’s story?
Ed: My first exposure to an Asian Aviatrix was actually in 2007.

I read about Hazel Ying Lee’s story at a Chinese History museum in Honolulu’s Chinatown.

I later wrote a piece for Asiance Magazine and 13 Minutes Magazine about Hazel after talking to filmmaker Alan H. Rosenberg, who had made a documentary about Hazel, entitled “A Brief Flight: Hazel Ying Lee and the women that flew pursuit.”

But it wasn’t until 2012, that I heard about Katherine’s story after East West Players created a Theatre for Youth production called “Taking Flight” written by Judy Soo Hoo.

I had written the original script for a short film about actor Keye Luke, which filmmaker Timothy Tau later turned into his award-winning short film, which spanned the 1930s-1940s film era.

Having developed an interest in that 1930s time period, when I heard about the “Taking Flight” production, it piqued my interest in Katherine’s story.

But I did not follow up again until October 2013 when I was tossing around ideas for a project with actress Katherine Park, who I originally had cast to play the young Katherine Sui Fun Cheung in dramatization scenes for the documentary.

Those dramatization scenes were later shelved in favor of turning it into the animated short film Up in the Clouds.

Lia: In 2004, Lucy Liu attempted to pitch a Katherine Sui Fun Cheung project to HBO with the family. How will yours finally tell Cheung’s story?
Ed: At a charity luncheon in 2004, Lucy Liu did have a brief meeting with family members.

According to grandson Alan Wong who was in attendance, Lucy spoke with Katherine’s granddaughter Judy Wong about pitching Katherine’s story to HBO.

However, no project was ever funded and Lucy moved onto other projects. Judy unfortunately passed away last year from cancer.

This was not the first attempt by filmmakers to tell Katherine’s story. Chinese actresses Luo Yan and Josephine Chien also attempted to create projects.

Hazel Ying Lee documentary filmmaker Alan H. Rosenberg had also proposed making a film about Katherine and several other Asian Aviatrix of that same era.

Lia: What’s the goal of your documentary?
Ed: Our primary project goal is to share Katherine’s story in a fun and entertaining way.

Our half-hour documentary film version will premiere at the 2016 Sacramento Asian Pacific Film Festival, and a longer form web series in the works.

I also plan to add additional footage and interviews to create a one-hour television broadcast version to submit for PBS and/or online content providers, along with making a limited edition DVD with bonus material, as well as a companion photo book with biographical information.

The end goal is to reach out to schools and museums with the web series and DVD in hopes that new audiences will find Katherine’s story an informative, inspiring and entertaining piece of Asian American history.

Katherine was a visionary who pursued her dreams with a passion and we want to honor that with a project that reflects her legacy as a pioneering aviatrix.

About Up in the Clouds

Up in the Clouds. Illustrated by Ruby Chen
Up in the Clouds. Illustrated by Ruby Chen

Up in the Clouds was originally conceived as black and white animatic style sketches illustrating Katherine’s story of falling in love with flying while learning to drive a car with her dad next to a dusty airfield in Los Angeles.

Up in the Clouds. Illustrated by Ruby Chen
Up in the Clouds. Illustrated by Ruby Chen

Ruby Chen’s hand drawn illustrations features 1920’s period cars and planes in a cartoon style meets modern anime caricature, which visual effects editor Chris Trinh animated with motion and movement.

Up in the Clouds. Illustrated by Ruby Chen
Up in the Clouds. Illustrated by Ruby Chen

Additional production credits include David Cu (sound and music editor), Nicole Echegoyen (graphic artist) and Birdie Sawyer (trailer video editor). Additional funding was provided by executive producer Tau for the color illustrations, and by Moy for the colorized cartoon.

Up in the Clouds. Illustrated by Ruby Chen
Up in the Clouds. Illustrated by Ruby Chen

Edmund Moy (director, producer, writer)
Ed Moy is an award-winning journalist. His series of feature news articles about the Leukemia & Lymphoma Society’s Team in Training fundraising programs helped raise awareness for their mission while touching the lives of thousands of readers and earned him their National Print Media Award for Excellence in Journalism.

In addition to working on the Aviatrix documentary film and web series project about Chinese women aviators of the 1930, Moy  was co-writer on director Timothy Tau’s award-winning short film Keye Luke about the life of pioneering Asian American actor Keye Luke. It won an Audience Award at the 2014 Hollyshorts Film Festival and was nominated for Best Short Film at the 2013 Dragon*Con Short Film Fest.

Up in the Clouds on Facebook

The 2016 Sacramento Asian Pacific Film Festival runs May 27 – 28, 2016 at The Guild Theater, 2828 35th St, Sacramento, CA 95817, and will screen 30 films.  Ticket purchasers may buy either a Full Festival Pass for access both days; all day Friday (3PM – 10:30PM); all day Saturday (11AM – 10:30AM); Half-Day Saturday day (11AM-4:30PM), or Half-Day Saturday evening (5PM -10:30PM). Click here purchase a full festival pass or tickets.

Access all Screenings, both Festival days!
Fri 5/27 3PM – 10:30PM
Sat 5/28 11AM – 10:30PM

Full Festival Pass, Advance Price (ends 5/20)
General FFP: $40 ($50 after 5/20)
Students/Seniors FFP: $21 ($25 after 5/20)
Students may be requested to provide a valid student ID. Seniors are 62 years young and up.


The signature event of the Sacramento Asian Pacific Cultural Village, SAPFF serves alongside a continuum of events and programming in support of traditional and contemporary Asian and Pacific Islander artistic expression within the Sacramento Region.   Since 2013, SAPFF has been a champion of independent films featuring the works of Asian Pacific Islanders in front of and behind the camera.

Facebook: www.facebook.com/AsianPacificFilmFest
Twitter: @SAPFF, www.twitter.com/sapff
Instagram: AsianPacific FilmFestival
YouTube: Sacramento Asian Pacific Film Festival, www.youtube.com/AsianPacificFilmFest
Flickr: sacramentoasianpacificfilmfest, www.flickr.com/photos/sapff

For more information about the Sacramento Asian Pacific Cultural Village, the Sacramento Asian Pacific Film Festival, or to see how you can get involved send an email to info[at]SAPFF.org, or call (916) 776-6036.
2016 Sacramento Asian Pacific Film Festival Lineup, May 27-28; HIDE AND SEEK starring Lia Chang and Garth Kravits screens on May 28

Lia Chang. Photo by Garth Kravits
Lia Chang. Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Examiner.comJade Magazine and Playbill.com.

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